Early Glazed Ware Including RumRill

Early on Red Wing Union Stoneware Company was producing a line of ceramic wares, most of which would now be classed as art ware. Indeed, pieces listed in the catalog, previously mentioned, all have individual page headings titled "Artware Division". Red Wing Union Stoneware Company, at the time, considered a wide range of products to fall under the label of "artware." Current collectors might have difficulty envisioning various sand jars and umbrella stands, urns, large vases, and the many different types of garden wares including flower pots and porch pots with saucers and bird baths as art pottery. But since the company labeled it artware at the time it seemed appropriate to mention it as such in this article.

Additionally, there were numerous ceramic pieces of various designs and shapes that were listed as simply "vases." These came in at least five different finishes and constitute a line referred to now by collectors as "glazed ware."

Glazed ware was usually marked on the bottom with a round ink stamp with the words "number red wing ware" circling inside a ring and with three numerals right in the center. It was this initial line of glazed ware along with several of the garden ware pieces embellished with the more intricate designs that formed the nucleus of what is now referred to as art pottery.

Apparently, this line appealed to the public. We know that sales of utilitarian ware were slowing at the time due to the combined effects of the Great Depression and the introduction of more modern ways of storing foodstuffs, typically, canning using glass jars. But the artware seemed to take off.

About this time, in the very early thirties, a man named George Djalma Rumrill appeared on the Red Wing Pottery scene. George Rumrill was strictly a salesman and he had founded Rumrill Potteries of Little Rock, Arkansas, as a company poised to sell art pottery. The details of the arrangement agreed to by George Rumrill and Red Wing Potteries, Inc., will probably forever remain unknown. We do know that Rumrill came in and took the existing line of glazed ware, expanded it, and started selling it throughout the county using the marketing organization he had created with his Rumrill Potteries Company.

Redwing, through Rumrill, reintroduced new shapes using old molds. New artware pieces were created and added to the line. The number of finishes offered was expanded and a line of "blended glazes" was introduced. Most importantly, Rumrill cleaverly catagorized the fledgling but growing line into sales groupings he called by creative names such as "Classic Group," the "Fern Group," and the "Fluted Group." Probably just as important, the wares no longer bore the name Red Wing; while they were produced at Red Wing, the wares were all labeled and sold as RumRill (sic) Pottery.

A new era in the marketing of Red Wing artware had been born. Sales increased. Lines were expanded and then expanded again. Twice a year new finishes were introduced.

Then around early 1938 the Red Wing/Rumrill relationship was disolved. The reasons for this have never been adequately researched. But Rumrill moved on to have his wares produced by other potteries, became ill and eventually died causing the failure of his business.

Red Wing Potteries, on the other hand, continued production of the artware line, which it sold as Red Wing pottery from 1938 on.

 

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Two vases in the
Nokomis glaze,
one that is prized by
collectors. At right
is 8" shape no. 200,
left is 10" no. 199.

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A 15" no. 186 vase in
a hard-to-find matt
tan glaze similar in
technique to a Brushed
Ware glaze.

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Three RumRill pieces
from the Grecian
group, in Lilac, Green
over Lavendar
glazes.
The shapes were first
introduced in 1933; from
left they are nos. 287, 288
and 368. The first of
these is 6" tall

Mike Zaeske